I later found this review on the net by an unknown writer:
“Mette Fruergaard’s finely crafted boxes seamlessly combine materials such as wood, aluminium, copper, bone, resin and concrete in a union of form and function. Many of these are almost architectural in form, an unexpectedly beautiful fusion of organic and industrial design consistent with the Danish tradition but with the subtle accents of colour and light typical of the changing Scottish seasons. Fruergaard-Jensen’s “silent language of materials” is also revealed in selected pieces hung above the main display of boxes which invite the viewer to contemplate the tactile beauty of raw materials; the powdery midnight patina of a lump of charcoal or the playful suggestion of a lion in wood grain. Using found and recycled materials highly finished surfaces are contrasted with textures formed by time and weather.”-Danish Cultural Institute, Edinburgh.

I later found this review on the net by an unknown writer:
“Mette Fruergaard’s finely crafted boxes seamlessly combine materials such as wood, aluminium, copper, bone, resin and concrete in a union of form and function. Many of these are almost architectural in form, an unexpectedly beautiful fusion of organic and industrial design consistent with the Danish tradition but with the subtle accents of colour and light typical of the changing Scottish seasons. Fruergaard-Jensen’s “silent language of materials” is also revealed in selected pieces hung above the main display of boxes which invite the viewer to contemplate the tactile beauty of raw materials; the powdery midnight patina of a lump of charcoal or the playful suggestion of a lion in wood grain. Using found and recycled materials highly finished surfaces are contrasted with textures formed by time and weather.”-Danish Cultural Institute, Edinburgh.